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Shankar-Ehsaan-Loy: "Toofaan" songs are like emotional roller coaster (Lead)
Ace Bollywood composers Shankar-Ehsaan-Loy are back with "Toofaan", and the trio that has been together since 1997 recently saw the release of the title song of the Farhan Akhtar-starrer boxing drama.
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Shankar-Ehsaan-Loy: Songs of "Toofaan" are like emotional roller coaster
The three musketeers of Bollywood music, Shankar-Ehsaan-Loy, are back with "Toofaan", and the trio that has been together since 1997 recently saw the release of the title song of the Farhan Akhtar-starrer boxing drama.
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Jimmy Sheirgill: I'm offered a lot of cop roles, I pick the ones I really like
Actor Jimmy Sheirgill has had quite a journey in Bollywood, since his first film "Maachis" in 1996.
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'Grahan' star Wamiqa Gabbi inspired by co-actor Pawan Malhotra since 'Jab We Met' days
Actress Wamiqa Gabbi's Instagram bio reads: "I'm that Girl you've seen somewhere but can't remember where."
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Patriarchy: The losers' war cry (Column: B-Town)
What has been known as a tradition, and is practiced all over the world, be it a trader, industrialist or a professional, is that the next of generation is expected to follow. Then, why is it suddenly looked down upon when it comes to the film industry?
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Review: Haseen Dillruba: Wild, wicked but with warts
Kanika Dhillon's writing is as much the 'hero' of "Haseen Dillruba" as Taapsee Pannu, who breathes life into the titular protagonist with trademark relish, or Vikrant Massey -- just give the guy a meaty role and watch him go. That's not to say there are no rough edges in the script, you'll spot plenty of loopholes here.
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Review: The Tomorrow War: Sloppy sci-fi
BY VINAYAK CHAKRAVORTY
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Tanya Maniktala: Due to self-doubt I once thought of giving up acting
She grabbed eyeballs with her acting and beauty in Mira Nair's web series "The Suitable Boy" and there has been no looking back. From being selected as one of the participants of BAFTA Breakthrough India to bagging roles in Santosh Sivan's "Mumbaikar", th
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Milind Gaba: Nikki Tamboli is savage, I had an amazing experience working with her
Singer Milind Gaba's gamechanger track "Yaar mod do", which he created in collaboration with Guru Randhawa, is still a favourite among youth after years.
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Review: Samantar 2: Should keep season one fans happy
The Marathi thriller series "Samantar" gave an absorbing spin to the mystery genre in its first season last year, and the hype was naturally high when season two dropped this weekend.
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Review: Cold Case: Served lukewarm
The catchword in this case is 'Cold'. In the history of horror thrillers, if a refrigerator ever played a pivotal role, this is it. We'll stop short there, to avoid spoilers.
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Suchitra Pillai: OTT gave me new lease of life
Actress Suchitra Pillai, who is currently seen in the digitally-released Malayalam film "Cold Case", says OTT content has given new opportunities to many actors like her.
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Review: June: Hard as nails yet sensitive
Suhrud Godbole and Vaibhav Khisti's coming-of-age film is hard as nails while conveying its message, yet sensitive while driving home the point. The script focuses on issues such as bullying, teenage confusion, self-harm and suicide, and also touches upon wider issues as sexism and generation gap.
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Shanaya Kapoor: Understanding skin and honesty of a character is important
Actor Sanjay Kapoors daughter Shanaya Kapoor is ready enter Bollywood soon. The 21-year-old is naturally excited.
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Ayesha Sulthana mulls film on her recent run in with law
Lakshadweep film personality Ayesha Sulthana, who has been in news ever since her controversial remark on a local TV channel and the subsequent legal travails, plans to put it all up on celluloid.
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Swwapnil Joshi: Marathi content among finest in India, just needs wider audience
Actor Swwapnil Joshi, who soon reprise his role of Kumar Mahajan in the Marathi web series "Samantar 2", says the particular streaming platform on which a project gets released plays a huge role in the show's success. He adds that the Marathi industry has
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Cinematograph Act: Inane amendments (Column: B-Town)
In India for all the laws we need as far as our field of cinema is concerned, we have the Cinematograph Act (1952), an almost 70-year-old Act that has not been amended or scrapped, and re-enacted in time to keep up with the changing time. The Act has been
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Maybe, Ray would have liked us for at least attempting 'Ray': Ali Fazal
Ali Fazal was recently seen in the segment "Forget Me Not" of the anthology series "Ray". The episode is based on Satyajit Ray's short story Bipin Chowdhury'r Smritibhrom (Bipin Chowdhury's memory loss). Ali plays an ambitious man named Ipsit, who boasts